This is a more modulated and patient movie, one that doesn't ape the style of other flashy genre movies for post-modern, meta-textual in-joke commentary. This is the least Wright-ian movie when it comes to his signature sense of frenetic visual decadence and creative, intuitive editing. Eloise investigates what happened to Sandie and grows increasingly consumed with solving the crimes of the past and possibly getting lost in it as well.

When she goes to sleep, under the alternating neon light filtering through her window, she wakes up back in the 1960s and takes the form of another woman, Sandie (Ana Taylor-Joy). She has difficulty fitting in with the snobby city girls at school and her new apartment might be haunted. We follow an aspiring fashion student, Eloise (Thomasin McKenzie), as she leaves her small town for the bright lights of London. Edgar Wright's Last Night in Soho is the writer/director's first work of genuine horror and it's in many ways unlike his previous movies, both in good ways and not as good.

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